
The live version of this program took place in summer 2021. Due to the success and demand of the program, I Have released this as a video course. Please Click the Link Below to Purchase.
Does it ever seem like no matter how much progress you make vocally, nothing ever feels easy?
Do you feel like you've been studying FOR YEARS and still feel like you're not where you should be technically?
Do you feel like you sing well, but you have to be SO CAREFUL and LINED UP perfectly for things to go well?
Are things working well enough vocally, but you just know you are capable of more?

Trouble with high notes
Feelings of constant constriction
Difficulty with consonants and diction
Vocal inconsistency
Constant Vocal Fatigue
Jaw tension
Tongue tension
Passaggio issues
Neck tension
Inability to control dynamics
Sleep Apnea/Snoring
Unresolved body tension
Battles with acid reflux & allergies that affect your singing
Compromising between Color OR Function
Difficulty accessing your lighter mechanism
Increasing vocal difficulty with age
(And it is super important to investigate if you have a hidden tongue-tie or lip-tie)
Because I have experienced this journey myself and have overseen dozens of clients with these exact same symptoms (as have Leah, Jessica and Bryce in our Program Staff), ... AND, more importantly, we have seen them build the necessary strength, tools, and function in their tongue and oro-facial muscles that completely changed their singing!
Don't tell yourself B.S. like “I have vocal limits”, "I just don't have a pianissimo high Bflat", “I have a heavier instrument, so my voice is just harder to manage”, “I have never been good at coloratura”, “My high notes just aren't easy” "My best singing is behind me."
What if more was possible?
What if there were actual physical restrictions in my tongue and lips that have gone undetected for years?
What if there were years of chronic misuse and gradual atrophy of important tongue and face musculature that have affected my singing?

INTRODUCING












"This course is one of the best investments I have made!"
I don’t teach basic vocal technique — I rebuild voices, expand range, and restore lost function.
With nearly 20 years of experience as a voice technician and opera singer, I specialize in advanced vocal training for classical singers. My work focuses on myofunctional voice rehabilitation, reactivating thin-edge function, developing true range flexibility, and building vocal muscle for long-term sustainability.
My clients perform with companies such as Deutsche Oper, The Metropolitan Opera, La Scala, Wiener Staatsoper, Houston Grand Opera, Salzburger Festspiele, and Theater an der Wien. They’ve advanced in major competitions including the Metropolitan Opera National Council and Schmidt Vocal Competition, and have earned scholarships to top conservatories and universities.
Most importantly, they’re singing with more freedom than ever—building real careers, not just collecting accolades.


As an opera singer, I have performed with companies such as the National Moravian-Silesian Theater, National Theater of Croatia–Split, Opera Orlando, Opera Naples, Annapolis Opera, Wichita Grand Opera, Gulfshore Opera, and Tri-Cities Opera. Major roles include Amelia (Un Ballo in Maschera), Marietta (Die tote Stadt), Rosalinde (Die Fledermaus), Donna Elvira/Anna (Don Giovanni), Violetta (La Traviata), Fiordiligi (Così fan tutte), Susannah, and Suor Angelica.
I have received numerous awards, including first prizes in the Jenny Lind Competition, Connecticut Concert Opera Competition, and Marcella Kochanska Sembrich Competition; second prizes in the Kosciuszko Foundation Competition and National Federation of Music Clubs Biennial Young Artist Awards; third prize in the New Jersey State Opera Competition; and a Career Bridges Foundation grant.
I currently live in Bratislava, Slovakia, with my husband, a Slovak opera conductor, and maintain a residence in Orlando, Florida.
YOUR GUIDES

Leah has over nine years of experience teaching voice on the collegiate level and has served on the artistic staff of multiple summer music programs. She holds a B.A. and M.A. in Voice Performance from Pensacola Christian College and an M.M. in Voice Performance from James Madison University.
Leah is an active soprano, appearing regularly in both opera and music theater productions. Recent roles include Betsie in Stephen Burke’s The Hiding Place, Angelica in Puccini’s Suor Angelica, Mimì in Puccini’s La bohème, Adina in Donizetti’s L’elisir d’amore, Micaela in Bizet’s Carmen, Principal Female Soloist in Jeremy Beck’s Review, Contessa in Mozart’s Le Nozze di Figaro, Erste Dame in Mozart’s Die Zauberflöte, and Young Psyche in Larry Taylor’s Eros and Psyche.
Bryce Lupoli is a tenor, Sheng Zhen Meditation teacher, and teacher of breathing. Bryce has trained under Master Buteyko Instructor Patrick McKeown, founder of the Oxygen Advantage. He has completed the Breatheology Fundamentals Course, created by world record freediver Stig Severinsen.
He has completed the Breathwork Intensive Course, created by Our Breath Collective, and he is soon to receive a teacher certification through OBC.
Bryce’s professional work came about because for years he suffered with existential depression and debilitating auto-immune illness, which led him to explore various self-healing traditions. Today, he is very grateful to be healthy and to be teaching the practices that helped him regain a life of joy and vitality


Jessica is a soprano who grew up immersed in the dental and medical fields. While pursuing a career as an opera singer, she became fascinated with the connection between a singer’s face-shape and its correlations to specific, predictable technique issues. She is now the only CSOM/Singer professional-combo in the world, and has since used her unique set of skills and insights to bridge new ideas between the art and science worlds.
Jessica holds a CSOM from the Graduate School of Breathing Sciences and a Master of Music from Georgia State University. She has been taught and trained by numerous top-experts in both the dental and body-integration fields across the country.
Chris Kelly is a Certified Strength and Conditioning Specialist through the NSCA and has completed all the education for systems such as Functional Range Conditioning, Postural Restoration Institute, Bill Hartman’s Intensive and Neurokinetic Therapy.
As the co-owner of the Musical Athlete, a physical preparation and performance company for vocalists, Chris uses biomechanical principles to help vocalists move, breath and perform better while gaining a new understanding of their body. He is passionate about helping singers support the vocal mechanism by training the body and the breathe holistically.


Jenny is a certified Emotional Freedom Technique Practitioner (EFT or Tapping) for Musicians and Performers. She is also a professional violinist. She helps singers unlock energetic blocks in their mind and body to achieve peak performance both physically and mentally. She believes that to have an inescapable burning desire to succeed as a creative is proof enough that this is your road that must be travelled.
Jenny is also the author of The Music Inside. She is a graduate of Energy Psychology certification, with Dr. Dawson Church's EFT Universe, which deepened her knowledge of the techniques and possibilities of energy healing.
WHAT YOU GET

Over 9 hours of content
Postural & Alignment Workshop
Myo-Function for Singers Workshop

10 Technique Sessions plus Notes!
Topics include: Undoing Compensations, Building Strength in Tongue & Lips, Face Posture in Singing, What the Light Mechanism Can Teach You, Reframing the Passaggio, Alignment for Optimal Resonance, and More!

Workshop with Bryce Lupoli (Breath Specialist)
Supporting a healthy Mind/Body
Techniques for Correct Breathing

EFT Tapping Workshop with Jenny Clift (EFT Practitioner)
Identifying unhelpful thought patterns
Clearing energy blocks that can remain stuck in our throats and mouths.

Workshop with Oromyologist Jessica Luffey
Eliminating tongue tension
Muscular strengthening exercises and techniques

Full Body Workshop with Chris Kelly
Framework for physical training in relation to vocal performance
Exercise strategies and recommendations to incorporate into your warm up routine and daily life
Singers who have a tongue or lip restriction.
Professional singers looking to explore new frontiers in their technique
Advanced singers finding it hard to make that next leap vocally
Singers who suspect they have a restriction, and want to learn ways to improve.
Singers who are currently in the stage before/after a tongue/lip-tie release
Teachers seeking to gain new skills and awareness for their students
Growth-minded singers and teachers looking to maximize their technique


This program provides massive support for Myo-Functional Development in Singers.
We welcome singers at all stages of development and voice classifications. We especially welcome those singers who may be either before/after a tongue/lip-tie release. If you are currently working with a Myo-Functional Therapist, this program will enhance the work you are already doing with them.
This program utilizes a unique Vocal Mentor philosophy in that no person can dictate your truth for you. Vocal discovery is the goal, and the ideas/techniques/tools can absolutely be worked on in the outside world with other teachers and coaches.
WHAT OTHERS SAY
While that may be true, experience and percentages tells me there is a high probability of an undetected restriction (approx. 70% of people have an undiagnosed restriction). Posterior tongue-tie is an extremely new diagnosis, and is just gaining ground in the medical community at large. The singing world is still far behind, and it is my desire to bring this knowledge AND solutions to singers.
If this is you, I completely understand: it is scary venturing into the unknown. With a lot of clients, I see dramatic vocal results through tongue and facial work alone. Through this course, you will absolutely up-level your singing, and then you can decide more fully if a procedure might be right for you!
While I highly advocate releasing tongue and lip restrictions through surgery, it will absolutely not magically solve your singing issues. Years of compensatory musculature have been built up. This needs to be deconstructed and redirected through the guidance of sensitive ears and understanding of the unique struggles of those with restrictions.
NOW is the time to take ownership of your TECHNIQUE and refine the TOOLS to achieve your vocal goals beyond the voice studio-- creating exhilarating performances, acing auditions, feeling ease and confidence in your instrument at all times.
My wish for you is that you can stand facing yourself in the mirror and know that you are not playing small, playing to your limitations, but you are looking for solutions and challenging yourself everyday to become better.
I invite you to book a call with me today and discover how we might work together to attain greater EASE, FREEDOM, and MASTERY in your Singing through Myo-Functional Awareness, Mobility, Strength, and Technical Integration in a SAFE, SUPPORTIVE, HIGHLY-INDIVIDUALIZED Group Environment.
Join me as I share insights on vocal technique, artistry, and the real work behind sustainable singing. No quick fixes, just honest perspective from nearly two decades of training professional classical singers.

Join my free virtual studio with member-only vocal tips