The Myofunctional Singer

Be the singer you're meant to be.

A self-paced video course with over 9 hours of training for your tongue, lips, face, breath and posture, from Julia and four specialists. Build the strength and control behind easier high notes, clearer diction and full dynamic control.

Start Your Training$147 one-time · self-paced video course
The Myofunctional Singer course on a laptop, tablet and phone: Julia teaching a technique session
  • 9+hours of content
  • 10technique sessions plus notes
  • 4specialist workshops
  • $147one-time, self-paced

Does this sound like you?

  • Nothing ever feels easy

    Does it ever seem like no matter how much progress you make vocally, nothing ever feels easy?

  • Studying for years

    Do you feel like you've been studying for years and still feel like you're not where you should be technically?

  • So careful and lined up

    Do you feel like you sing well, but you have to be so careful and lined up perfectly for things to go well?

  • Capable of more

    Are things working well enough vocally, but you just know you are capable of more?

Are you struggling with these vocal issues?

High notes & range

  • Trouble with high notes
  • Passaggio issues
  • Difficulty accessing your lighter mechanism
  • Inability to control dynamics
  • Compromising between Color OR Function
  • Vocal inconsistency

Tension & diction

  • Feelings of constant constriction
  • Jaw tension
  • Tongue tension
  • Neck tension
  • Unresolved body tension
  • Difficulty with consonants and diction

Stamina & health

  • Constant Vocal Fatigue
  • Sleep Apnea/Snoring
  • Battles with acid reflux & allergies that affect your singing
  • Increasing vocal difficulty with age

If you answered YES to a lot of these,

I can pretty much tell you without knowing you, that you have some muscular weakness and/or immobility in your tongue, lips, and/or facial muscles.
(And it is super important to investigate if you have a hidden tongue-tie or lip-tie)
Julia Radosz

Why do I know this?

Because I have experienced this journey myself and have overseen dozens of clients with these exact same symptoms (as have Leah, Jessica and Bryce in our Program Staff), ... AND, more importantly, we have seen them build the necessary strength, tools, and function in their tongue and oro-facial muscles that completely changed their singing!

Don't tell yourself B.S. like “I have vocal limits”, "I just don't have a pianissimo high Bflat", “I have a heavier instrument, so my voice is just harder to manage”, “I have never been good at coloratura”, “My high notes just aren't easy” "My best singing is behind me."

Instead, ask yourself

What if more was possible?

What if there were actual physical restrictions in my tongue and lips that have gone undetected for years?

What if there were years of chronic misuse and gradual atrophy of important tongue and face musculature that have affected my singing?

Introducing

The Myofunctional Singer

With this program, you will gain tools for:

With Julia, Jessica & Leah

Tongue, lips & face

  • Developing tongue strength & dexterity
  • Correct usage of Tongue, Lips, and Facial Muscles for Singing
  • Eliminating excess tongue, jaw, and neck tension
With Julia

Range & resonance

  • Effortless & exhilarating high notes
  • Full dynamic control over your entire range
  • Maximum resonance & beauty throughout your entire range
  • Addressing registrational imbalances
  • Greater ease and stamina in your repertoire
With Bryce, Chris & Jenny

Body, breath & mindset

  • Postural alignment in support of correct Myo-Function
  • Breathwork that sustains and enhances the body, mind, and voice
  • Overcoming mindset blocks that sabotage Technical Mastery
Julia Radosz on stage
Hi, I'm Julia!

I don’t teach basic vocal technique - I rebuild voices, expand range, and restore lost function.

With 15+ years of experience as a voice technician and opera singer, I specialize in advanced vocal training for classical singers. My work focuses on myofunctional voice rehabilitation, reactivating thin-edge function, developing true range flexibility, and building vocal muscle for long-term sustainability.

My clients perform with companies such as Deutsche Oper, The Metropolitan Opera, La Scala, Wiener Staatsoper, Houston Grand Opera, Salzburger Festspiele, and Theater an der Wien. They’ve advanced in major competitions including the Metropolitan Opera National Council and Schmidt Vocal Competition, and have earned scholarships to top conservatories and universities.

Most importantly, they’re singing with more freedom than ever - building real careers, not just collecting accolades.

As an opera singer, I have performed with companies such as the National Moravian-Silesian Theater, National Theater of Croatia-Split, Opera Orlando, Opera Naples, Annapolis Opera, Wichita Grand Opera, Gulfshore Opera, and Tri-Cities Opera. Major roles include Amelia (Un Ballo in Maschera), Marietta (Die tote Stadt), Rosalinde (Die Fledermaus), Donna Elvira/Anna (Don Giovanni), Violetta (La Traviata), Fiordiligi (Così fan tutte), Susannah, and Suor Angelica.

I have received numerous awards, including first prizes in the Jenny Lind Competition, Connecticut Concert Opera Competition, and Marcella Kochanska Sembrich Competition; second prizes in the Kosciuszko Foundation Competition and National Federation of Music Clubs Biennial Young Artist Awards; third prize in the New Jersey State Opera Competition; and a Career Bridges Foundation grant.

I currently live in Bratislava, Slovakia, with my husband, a Slovak opera conductor, and maintain a residence in Orlando, Florida.

Your guides

Meet The Team

Leah Stewart-Hill
Vocal Technician & Soprano

Leah Stewart-Hill

Leah has over nine years of experience teaching voice on the collegiate level and has served on the artistic staff of multiple summer music programs. She holds a B.A. and M.A. in Voice Performance from Pensacola Christian College and an M.M. in Voice Performance from James Madison University.

Leah is an active soprano, appearing regularly in both opera and music theater productions. Recent roles include Betsie in Stephen Burke’s The Hiding Place, Angelica in Puccini’s Suor Angelica, Mimì in Puccini’s La bohème, Adina in Donizetti’s L’elisir d’amore, Micaela in Bizet’s Carmen, Principal Female Soloist in Jeremy Beck’s Review, Contessa in Mozart’s Le Nozze di Figaro, Erste Dame in Mozart’s Die Zauberflöte, and Young Psyche in Larry Taylor’s Eros and Psyche.

Bryce Lupoli
Breathwork Facilitator & Tenor

Bryce Lupoli

Bryce Lupoli is a tenor, Sheng Zhen Meditation teacher, and teacher of breathing. Bryce has trained under Master Buteyko Instructor Patrick McKeown, founder of the Oxygen Advantage. He has completed the Breatheology Fundamentals Course, created by world record freediver Stig Severinsen.

He has completed the Breathwork Intensive Course, created by Our Breath Collective, and he is soon to receive a teacher certification through OBC.

Bryce’s professional work came about because for years he suffered with existential depression and debilitating auto-immune illness, which led him to explore various self-healing traditions. Today, he is very grateful to be healthy and to be teaching the practices that helped him regain a life of joy and vitality

Jessica Luffey
Certified Specialist in Orofacial Myology & Soprano

Jessica Luffey

Jessica is a soprano who grew up immersed in the dental and medical fields. While pursuing a career as an opera singer, she became fascinated with the connection between a singer’s face-shape and its correlations to specific, predictable technique issues. She is now the only CSOM/Singer professional-combo in the world, and has since used her unique set of skills and insights to bridge new ideas between the art and science worlds.

Jessica holds a CSOM from the Graduate School of Breathing Sciences and a Master of Music from Georgia State University. She has been taught and trained by numerous top-experts in both the dental and body-integration fields across the country.

Chris Kelly
Certified Strength & Conditioning Specialist

Chris Kelly

Chris Kelly is a Certified Strength and Conditioning Specialist through the NSCA and has completed all the education for systems such as Functional Range Conditioning, Postural Restoration Institute, Bill Hartman’s Intensive and Neurokinetic Therapy.

As the co-owner of the Musical Athlete, a physical preparation and performance company for vocalists, Chris uses biomechanical principles to help vocalists move, breath and perform better while gaining a new understanding of their body. He is passionate about helping singers support the vocal mechanism by training the body and the breathe holistically.

Jenny Clift
EFT Coach

Jenny Clift

Jenny is a certified Emotional Freedom Technique Practitioner (EFT or Tapping) for Musicians and Performers. She is also a professional violinist. She helps singers unlock energetic blocks in their mind and body to achieve peak performance both physically and mentally. She believes that to have an inescapable burning desire to succeed as a creative is proof enough that this is your road that must be travelled.

Jenny is also the author of The Music Inside. She is a graduate of Energy Psychology certification, with Dr. Dawson Church's EFT Universe, which deepened her knowledge of the techniques and possibilities of energy healing.

What you get

Program Content

With Julia

With Julia

Workshops with Julia

  • Postural & Alignment Workshop
  • Myo-Function for Singers Workshop
With Julia

10 Technique Sessions plus Notes!

Topics include: Undoing Compensations, Building Strength in Tongue & Lips, Face Posture in Singing, What the Light Mechanism Can Teach You, Reframing the Passaggio, Alignment for Optimal Resonance, and More!

Specialist workshops

35 min
Breath Specialist

Workshop with Bryce Lupoli

  • Supporting a healthy Mind/Body
  • Techniques for Correct Breathing
38 min
EFT Practitioner

EFT Tapping Workshop with Jenny Clift

  • Identifying unhelpful thought patterns
  • Clearing energy blocks that can remain stuck in our throats and mouths.
27 min
Orofacial Myologist

Workshop with Oromyologist Jessica Luffey

  • Eliminating tongue tension
  • Muscular strengthening exercises and techniques
1 h 12 min
Strength & Conditioning

Full Body Workshop with Chris Kelly

  • Framework for physical training in relation to vocal performance
  • Exercise strategies and recommendations to incorporate into your warm up routine and daily life
  • 9+Over 9 hours of content
  • 10technique sessions
  • 4specialist workshops
  • $147one-time
Start Your Training
Who it's for

Who is this program for?

  • Singers who have a tongue or lip restriction.
  • Professional singers looking to explore new frontiers in their technique
  • Advanced singers finding it hard to make that next leap vocally
  • Singers who suspect they have a restriction, and want to learn ways to improve.
  • Singers who are currently in the stage before/after a tongue/lip-tie release
  • Teachers seeking to gain new skills and awareness for their students
  • Growth-minded singers and teachers looking to maximize their technique
Julia coaching a singer beside a piano

This program provides massive support for Myo-Functional Development in Singers.

We welcome singers at all stages of development and voice classifications. We especially welcome those singers who may be either before/after a tongue/lip-tie release. If you are currently working with a Myo-Functional Therapist, this program will enhance the work you are already doing with them.

This program utilizes a unique Vocal Mentor philosophy in that no person can dictate your truth for you. Vocal discovery is the goal, and the ideas/techniques/tools can absolutely be worked on in the outside world with other teachers and coaches.

Start Your Training
What others say

Client Testimonials

Lauren BestMezzo Soprano, Canada · 2:08
Marja KariMezzo Soprano, Finland · 2:24

“This course is one of the best investments I have made!”

Jill EndersSoprano

“I almost gave up trying to start a career as a singer, due to technical issues and the feeling I'm not good enough. I've now realized I'm still very much restricted in my tongue, which causes several technical challenges and that with the right teachers, who understand tongue ties (and had one themselves!) I can train in a way that specifically works for me. This means I've become motivated again to study and I'm much more hopeful a career in singing might be possible for me!”

Maite De WitMezzo

“This program takes singing to a whole other level! I have learned so much in just these 8 weeks and it has certainly shown in my voice and how I think of singing! I would definitely recommend this program to anyone who wants to get to the next level in their singing!”

Kristina CostelloSoprano

“This journey of betterment was an amazing one that I continue on.

In these uncertain and empty times I am so glad I chose to be a part of the Fearless Singer. It gave me structure and discipline along with support. Julia is studied, practiced and informed, she shares it all in an extremely supportive environment. The program pushes you past your comfort zone on several levels, like a great trainer - you get results! I grew as an artist, I grew in confidence, I found a better and practice ethic along with adding some new tools. I surprised myself.

I found answers to long time issues but more importantly - solutions!”

Shannon RobertsSoprano

“I am incredibly thankful to Julia. She has completely changed my voice in range, tone, and overall quality. Julia has been a saving grace for my voice, and has given me confidence that I didn't think was possible”

Laura DelucaSoprano

“This seminar offered such a wealth of information presented clearly and with great understanding. I left feeling motivated and encouraged by all of the sessions and the energy of the group was life-giving!”

VictoriaSoprano

“I have more freedom in my sound. I have learned to think about singing in a whole new way!”

Kristina CostelloSoprano

“I have immediately adjusted my embouchure and it has led to a whole new level of access. I am adjusting to the new aesthetic and am consistently surprised by the sounds that I can make with ease and confidence!”

Triona WalshSoprano

“This course is a must for any singer who feels they need to improve. I gained so much knowledge of how to improve my technique, my breathing and my mindset! An all-rounded course for all-rounded improvement. Thank you Julia!”

Dana ZeimerSoprano
Questions

About tongue-ties

"But I don't have a tongue-tie! I'm just having technical issues!"

While that may be true, experience and percentages tells me there is a high probability of an undetected restriction (approx. 70% of people have an undiagnosed restriction). Posterior tongue-tie is an extremely new diagnosis, and is just gaining ground in the medical community at large. The singing world is still far behind, and it is my desire to bring this knowledge AND solutions to singers.

"But I don't want surgery!"

If this is you, I completely understand: it is scary venturing into the unknown. With a lot of clients, I see dramatic vocal results through tongue and facial work alone. Through this course, you will absolutely up-level your singing, and then you can decide more fully if a procedure might be right for you!

"If I get the surgery, isn't that all I need?"

While I highly advocate releasing tongue and lip restrictions through surgery, it will absolutely not magically solve your singing issues. Years of compensatory musculature have been built up. This needs to be deconstructed and redirected through the guidance of sensitive ears and understanding of the unique struggles of those with restrictions.

Start your training

NOW is the time to take ownership of your TECHNIQUE

Refine the TOOLS to achieve your vocal goals beyond the voice studio - creating exhilarating performances, acing auditions, feeling ease and confidence in your instrument at all times.

My wish for you is that you can stand facing yourself in the mirror and know that you are not playing small, playing to your limitations, but you are looking for solutions and challenging yourself everyday to become better.

The Myofunctional Singer
$147 one-time
Self-paced video course · over 9 hours

Everything in the program

  • 2 workshops with Julia: Postural & Alignment, and Myo-Function for Singers
  • 10 Technique Sessions plus Notes
  • 4 specialist workshops: breath, EFT tapping, orofacial myology and full-body training
Start Your Training

One payment, no subscription. Watch at your own pace.

The Myofunctional Singer

Be the singer you're meant to be.

The live version of this program took place in summer 2021. Due to the success and demand of the program, I Have released this as a video course. Please Click the Link Below to Purchase.

Does this sound like you?

  • Does it ever seem like no matter how much progress you make vocally, nothing ever feels easy?

  • Do you feel like you've been studying FOR YEARS and still feel like you're not where you should be technically? ​

  • Do you feel like you sing well, but you have to be SO CAREFUL and LINED UP perfectly for things to go well?

  • Are things working well enough vocally, but you just know you are capable of more?

Are you struggling with these vocal issues?

  • Trouble with high notes

  • Feelings of constant constriction

  • Difficulty with consonants and diction

  • Vocal inconsistency

  • Constant Vocal Fatigue

  • Jaw tension

  • Tongue tension

  • Passaggio issues

  • Neck tension

  • Inability to control dynamics

  • Sleep Apnea/Snoring

  • Unresolved body tension

  • Battles with acid reflux & allergies that affect your singing

  • Compromising between Color OR Function

  • Difficulty accessing your lighter mechanism

  • Increasing vocal difficulty with age

If you answered YES to a lot of these, I can pretty much tell you without knowing you, that you have some muscular weakness and/or immobility in your tongue, lips, and/or facial muscles.

(And it is super important to investigate if you have a hidden tongue-tie or lip-tie)

Why do I know this?

Because I have experienced this journey myself and have overseen dozens of clients with these exact same symptoms (as have Leah, Jessica and Bryce in our Program Staff), ... AND, more importantly, we have seen them build the necessary strength, tools, and function in their tongue and oro-facial muscles that completely changed their singing!

Don't tell yourself B.S. like “I have vocal limits”, "I just don't have a pianissimo high Bflat", “I have a heavier instrument, so my voice is just harder to manage”, “I have never been good at coloratura”, “My high notes just aren't easy” "My best singing is behind me."

Instead, ask yourself

  • What if more was possible?

  • What if there were actual physical restrictions in my tongue and lips that have gone undetected for years?

  • What if there were years of chronic misuse and gradual atrophy of important tongue and face musculature that have affected my singing?

INTRODUCING

The Myofunctional Singer

With this program, you will gain tools for:

Developing tongue strength & dexterity
Correct usage of Tongue, Lips, and Facial Muscles for Singing​
Postural alignment in support of correct Myo-Function​
Effortless & exhilarating high notes
Full dynamic control over your entire range​
Greater ease and stamina in your repertoire​
Maximum resonance & beauty throughout your entire range​
Breathwork that sustains and enhances the body, mind, and voice​
Addressing registrational imbalances
Eliminating excess tongue, jaw, and neck tension
Overcoming mindset blocks that sabotage Technical Mastery

"This course is one of the best investments I have made!"

Jill Enders, Soprano

Hi, I'm Julia!

I don’t teach basic vocal technique — I rebuild voices, expand range, and restore lost function.

With nearly 20 years of experience as a voice technician and opera singer, I specialize in advanced vocal training for classical singers. My work focuses on myofunctional voice rehabilitation, reactivating thin-edge function, developing true range flexibility, and building vocal muscle for long-term sustainability.

My clients perform with companies such as Deutsche Oper, The Metropolitan Opera, La Scala, Wiener Staatsoper, Houston Grand Opera, Salzburger Festspiele, and Theater an der Wien. They’ve advanced in major competitions including the Metropolitan Opera National Council and Schmidt Vocal Competition, and have earned scholarships to top conservatories and universities.

Most importantly, they’re singing with more freedom than ever—building real careers, not just collecting accolades.

As an opera singer, I have performed with companies such as the National Moravian-Silesian Theater, National Theater of Croatia–Split, Opera Orlando, Opera Naples, Annapolis Opera, Wichita Grand Opera, Gulfshore Opera, and Tri-Cities Opera. Major roles include Amelia (Un Ballo in Maschera), Marietta (Die tote Stadt), Rosalinde (Die Fledermaus), Donna Elvira/Anna (Don Giovanni), Violetta (La Traviata), Fiordiligi (Così fan tutte), Susannah, and Suor Angelica.

I have received numerous awards, including first prizes in the Jenny Lind Competition, Connecticut Concert Opera Competition, and Marcella Kochanska Sembrich Competition; second prizes in the Kosciuszko Foundation Competition and National Federation of Music Clubs Biennial Young Artist Awards; third prize in the New Jersey State Opera Competition; and a Career Bridges Foundation grant.

I currently live in Bratislava, Slovakia, with my husband, a Slovak opera conductor, and maintain a residence in Orlando, Florida.

YOUR GUIDES

Meet The Team

Leah Stewart-Hill

VOCAL TECHNICIAN & SOPRANO

Leah has over nine years of experience teaching voice on the collegiate level and has served on the artistic staff of multiple summer music programs. She holds a B.A. and M.A. in Voice Performance from Pensacola Christian College and an M.M. in Voice Performance from James Madison University.

Leah is an active soprano, appearing regularly in both opera and music theater productions. Recent roles include Betsie in Stephen Burke’s The Hiding Place, Angelica in Puccini’s Suor Angelica, Mimì in Puccini’s La bohème, Adina in Donizetti’s L’elisir d’amore, Micaela in Bizet’s Carmen, Principal Female Soloist in Jeremy Beck’s Review, Contessa in Mozart’s Le Nozze di Figaro, Erste Dame in Mozart’s Die Zauberflöte, and Young Psyche in Larry Taylor’s Eros and Psyche.

Bryce Lupoli

BREATHWORK FACILITATOR & TENOR

Bryce Lupoli is a tenor, Sheng Zhen Meditation teacher, and teacher of breathing. Bryce has trained under Master Buteyko Instructor Patrick McKeown, founder of the Oxygen Advantage. He has completed the Breatheology Fundamentals Course, created by world record freediver Stig Severinsen.

He has completed the Breathwork Intensive Course, created by Our Breath Collective, and he is soon to receive a teacher certification through OBC.

Bryce’s professional work came about because for years he suffered with existential depression and debilitating auto-immune illness, which led him to explore various self-healing traditions. Today, he is very grateful to be healthy and to be teaching the practices that helped him regain a life of joy and vitality

Jessica Luffey

CERTIFIED SPECIALIST IN OROFACIAL MYOLOGY & SOPRANO

Jessica is a soprano who grew up immersed in the dental and medical fields. While pursuing a career as an opera singer, she became fascinated with the connection between a singer’s face-shape and its correlations to specific, predictable technique issues. She is now the only CSOM/Singer professional-combo in the world, and has since used her unique set of skills and insights to bridge new ideas between the art and science worlds.

​

Jessica holds a CSOM from the Graduate School of Breathing Sciences and a Master of Music from Georgia State University. She has been taught and trained by numerous top-experts in both the dental and body-integration fields across the country.

Chris Kelly

CERTIFIED STRENGTH & CONDITIONING SPECIALIST

Chris Kelly is a Certified Strength and Conditioning Specialist through the NSCA and has completed all the education for systems such as Functional Range Conditioning, Postural Restoration Institute, Bill Hartman’s Intensive and Neurokinetic Therapy.

​

As the co-owner of the Musical Athlete, a physical preparation and performance company for vocalists, Chris uses biomechanical principles to help vocalists move, breath and perform better while gaining a new understanding of their body. He is passionate about helping singers support the vocal mechanism by training the body and the breathe holistically.

EFT COACH

Jenny is a certified Emotional Freedom Technique Practitioner (EFT or Tapping) for Musicians and Performers. She is also a professional violinist. She helps singers unlock energetic blocks in their mind and body to achieve peak performance both physically and mentally. She believes that to have an inescapable burning desire to succeed as a creative is proof enough that this is your road that must be travelled.

​

Jenny is also the author of The Music Inside. She is a graduate of Energy Psychology certification, with Dr. Dawson Church's EFT Universe, which deepened her knowledge of the techniques and possibilities of energy healing.

WHAT YOU GET

Program Content

  • Over 9 hours of content

  • Postural & Alignment Workshop

  • Myo-Function for Singers Workshop

  • 10 Technique Sessions plus Notes!

  • Topics include: Undoing Compensations, Building Strength in Tongue & Lips, Face Posture in Singing, What the Light Mechanism Can Teach You, Reframing the Passaggio, Alignment for Optimal Resonance, and More!​

  • Workshop with Bryce Lupoli (Breath Specialist)

  • Supporting a healthy Mind/Body

  • Techniques for Correct Breathing

  • EFT Tapping Workshop with Jenny Clift (EFT Practitioner)

  • Identifying unhelpful thought patterns

  • Clearing energy blocks that can remain stuck in our throats and mouths.

  • Workshop with Oromyologist Jessica Luffey

  • Eliminating tongue tension

  • Muscular strengthening exercises and techniques

  • Full Body Workshop with Chris Kelly

  • Framework for physical training in relation to vocal performance

  • Exercise strategies and recommendations to incorporate into your warm up routine and daily life

Who is this program for?

  • Singers who have a tongue or lip restriction.

  • Professional singers looking to explore new frontiers in their technique

  • Advanced singers finding it hard to make that next leap vocally

  • Singers who suspect they have a restriction, and want to learn ways to improve.

  • Singers who are currently in the stage before/after a tongue/lip-tie release

  • Teachers seeking to gain new skills and awareness for their students

  • Growth-minded singers and teachers looking to maximize their technique

This program provides massive support for Myo-Functional Development in Singers.

We welcome singers at all stages of development and voice classifications. We especially welcome those singers who may be either before/after a tongue/lip-tie release. If you are currently working with a Myo-Functional Therapist, this program will enhance the work you are already doing with them.

​

This program utilizes a unique Vocal Mentor philosophy in that no person can dictate your truth for you. Vocal discovery is the goal, and the ideas/techniques/tools can absolutely be worked on in the outside world with other teachers and coaches.

WHAT OTHERS SAY

Client Testimonials

Julia's Tongue-Tie Release Vlog

"But I don't have a tongue-tie! I'm just having technical issues!"

While that may be true, experience and percentages tells me there is a high probability of an undetected restriction (approx. 70% of people have an undiagnosed restriction). Posterior tongue-tie is an extremely new diagnosis, and is just gaining ground in the medical community at large. The singing world is still far behind, and it is my desire to bring this knowledge AND solutions to singers.

"But I don't want surgery!"

If this is you, I completely understand: it is scary venturing into the unknown. With a lot of clients, I see dramatic vocal results through tongue and facial work alone. Through this course, you will absolutely up-level your singing, and then you can decide more fully if a procedure might be right for you!

"If I get the surgery, isn't that all I need?"

While I highly advocate releasing tongue and lip restrictions through surgery, it will absolutely not magically solve your singing issues. Years of compensatory musculature have been built up. This needs to be deconstructed and redirected through the guidance of sensitive ears and understanding of the unique struggles of those with restrictions.

NOW is the time to take ownership of your TECHNIQUE and refine the TOOLS to achieve your vocal goals beyond the voice studio-- creating exhilarating performances, acing auditions, feeling ease and confidence in your instrument at all times.

My wish for you is that you can stand facing yourself in the mirror and know that you are not playing small, playing to your limitations, but you are looking for solutions and challenging yourself everyday to become better.

I invite you to book a call with me today and discover how we might work together to attain greater EASE, FREEDOM, and MASTERY in your Singing through Myo-Functional Awareness, Mobility, Strength, and Technical Integration in a SAFE, SUPPORTIVE, HIGHLY-INDIVIDUALIZED Group Environment.